Dea Kulumbegashvili
Berlin/Eastern Georgia: I don’t use the word ‘masterpiece’ lightly, but Dea Kulumbegashvili has already given us two: Beginning and April. Rarely have a debut and follow-up felt so self-assured, perhaps not since Andrey Zvyagintsev stunned audiences with The Return and then The Banishment nearly two decades ago. I arrived in New York a few hours…
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